One day@Kabukicho #DAY168 - A night spent with my usual friend after several weeks.
When was the last time I went to Kabukicho? It was probably about three weeks ago. I'm totally okay whenever to see her, but my friend is really busy with her work recently and we can't seem to find time to meet up. We used to meet twice a week at one point, but looking back now, it was not kind of normal in a way.
前回歌舞伎町に行ったのはどのくらい前だったっけ?多分3週間くらい前かな。自分は全然大丈夫なんだけど、今友達が仕事が忙しくてなかなか会う時間を作れない。一時期は週2回とか会ってたけど、今考えてみるとあれはある意味異常だったんだな。
Anyway, it had been about three weeks since I last met up with her, and we spent our time exchanging information about recommended comedy videos, reporting recent news of each others and having silly conversations without doing anything in particular... well, it's really easy to be there with friends who don't need to be serious or not to guard down to each other together.
それにしても3週間ぶり?くらいにいつもの友達と会ったわけで、別に何するでもなくオススメのお笑いネタ動画の情報交換したり、近況報告したり、くだらない話をして過ごすだけなわけだが・・・まあお互い気軽に、それぞれに気を許せる友達ってのは本当に楽だ。
I'm also grateful for her who take my homebody self out. I usually stay at home all the time unless I have something important to do. I'm so homebody such I wonder if I would be able to keep taking photos in Kabukicho unless she didn't take me out.
あと出不精な自分を外に連れ出してくれるのも助かっている。普段はよっぽどの用事がない限り、ずーっと家にいるからさ。友達が連れ出してくれなかったら、歌舞伎町で写真を撮り続けられているのかも怪しくなってくるくらいに出不精だから。
Well, actually, the photos used in the recent article of One day@somewhere and this article have not been pre-processed with noise reduction using PureRAW before development. The photos from Kichijoji in the recent article were taken in broad daylight with the lowest sensitivity of ISO 200, so there shouldn't have been any noise in the first place and I thought there was no need for any post-processing. However, I was shooting with ISO 1600 this time because it was night as usual.
By the way, this photo is a sign of a shop that was built in the location after the dismantling of the Kabukicho mixed-use building fire.
さて、実は先日の One day@somewhere の記事と今回の記事、使っている写真の現像前に PureRAW でのノイズ軽減の下処理を施していない。前回の吉祥寺の写真は真昼間で感度も最低の ISO 200 で撮っていたからそもそもノイズなんて乗らないはずだし、下処理自体必要ないかなって思ってだったんだけど、今回はいつも通り夜だから ISO 1600 で撮っている。
あ、ちなみにこの写真、かの歌舞伎町雑居ビル火災の現場が解体された後にその場所にできたお店の看板っす。
The reason I didn't preprocess with PureRAW this time either. Hmm, simply because it became too much of a hassle to import to my Mac just for preprocessing. I also thought that since the photos were taken with high sensitivity in the dark of night, it was only natural for noise to be present. If it's about I want to beautifully preserve a photo of someone important (like my nephews), the story might be different. Or someone asked me to take a photo of them that I met in the city, it could be.
それでも今回も PureRAW で下処理しなかった理由。うーん、単純に下処理のために一旦 Mac に取り込むのが面倒くさくなったから。あとはそもそも夜の暗い中で高感度で撮った写真なんだから、ノイズなんて乗って当たり前って思ってしまったのもある。これが大切な誰か(甥っ子とか)の写真を綺麗に残したい!とかだったら話は違うのかもしれないけども。あとは街で出会った誰かに撮ってくれるように頼まれた、とかね。
I'd had wanted to take photos around Ichiban-gai even before I started shooting on this day. Lately, I have been asked by the friend, "Where are you shooting tonight?" quite often, but I usually don't think about it too much beforehand. Then she even gives me ideas like "Why don't you try taking photos around ○○?". And the idea of taking photos around Ichiban-gai was actually an idea that the friend had given me a little while ago.
この日は撮り出す前から、一番街周辺で写真を撮りたいなって思っていた。最近は友達に『今夜はどこで撮影するのー?』って聞かれることも多かったりするんだけど、自分ではあまり事前に考えていないことが多い。そうすると『○○の辺りで撮ってみたら?』とかアイデアまでくれる。んでこの一番街で取ろうかなってのも、実はちょっと前に友達がくれていたアイデア。
I think a lot of people tend to imagine Kabukicho as a whole like "It's the city like this" when they think of the city, but even within the Kabukicho area, the atmosphere can completely change with just one street over, actually. This may be a rough explanation, but the further you get away from Shinjuku Station, the more underground atmosphere it has, and it becomes an area that has lost its wholesomeness in various ways, both in a good and bad sense. In that sense, Ichiban-gai is the closest to Shinjuku Station, so I wouldn't say it's wholesome, but there aren't as many underground elements there. That's the impression I have.
結構みんな歌舞伎町って街を一括りで『こんな街』って想像するんじゃないかなって思うんだけど、同じ歌舞伎町エリアでも通りが一本変わると実は全然雰囲気が変わる。すごい乱暴な説明かもしれないけども、新宿駅から離れれば離れるほどアングラな雰囲気を持っていたり、まあいろいろ良い意味でも悪い意味でも健全さを失ったエリアになっていく。そういう意味では一番街は新宿駅と一番近いから、健全とは言わないまでもそこまでアングラなものは転がっていない。っていうのが自分の持っている印象。
Even so, just taking one step into the side alley immediately from the main street Ichiban-gai, brings out a distinctly underground atmosphere. I was taking photos in the Ichiban-gai, but there were too many people so I couldn't take a good one. So in the end, on this day, I ended up taking photos stepping into a narrow alley, just like avoiding people.
とは言えど、大きな通りである一番街も横の路地に一歩足を踏み入れるだけで一気にアングラな雰囲気が出てくる。一番街でも写真を撮っていたんだけど、人が多すぎてあまりいいのが撮れなかった。なのでこの日は結局、それを避けるように路地に入って写真を撮っていた。
Somehow, I took this photo because I was curious about the legs visible under the posters. There's no particular deep meaning in just that. And when I developed this, it wasn't as good as I thought it was when I took them. But since I've taken the one, I still post it.
なんとなく、ポスターの下に見える足が気になって撮った。それだけで特に深い意味はない。しかも現像してみたら、撮れていた写真は撮っていた時に思ったほどいい感じでもなかった。けどせっかくだし載せておく。
Well, as you can see from the photos up to this point, I was taking them in the rain, which was alternating between falling and stopping, but finally, the rain started to pour down in earnest.
さて、ここまでの写真でもわかる通り、雨が降ったり止んだりの中で撮っていたんだけど、遂に本格的に雨が降ってきた。
So, I found shelter from the rain in a late-night cafe that I have been wanting to go back again since the 100th time I went to Kabukicho for shooting, but I hadn't yet.
ということでちょうど100回目の歌舞伎町での撮影の時に行って以来、ずーっとまた行きたいと思っていながらも行っていなかった深夜営業している喫茶店で雨宿りすることにした。
I was looking at the scenery outside, drinking iced caffee at that cafe. This shop has a great location, and from the large window that spread across the entire wall inside the shop, I can see all the way from the TŌYOKO to Kabukicho Ichiban-gai. Once I change the direction of my view, I can also see the direction of Seibu Shinjuku Station like in this photo. Not only the drinks, but I love everything about this cafe, including the large window that offer a view of the outside scenery and the atmosphere inside. I will definitely come back again.
そんな喫茶店でアイスコーヒーを飲みながら外の景色を眺めていた。場所がすごくよくって、店内壁面いっぱいに広がった大きな窓からはトー横を抜けて歌舞伎町一番街の方までがずーっと見通せるんだよね、このお店。視線を変えたらこの写真みたいに西武新宿駅の方も見通せる。飲み物だけじゃなくって、そんな外の景色が見通せる大きな窓、店内の雰囲気含めて全部好きだ、この喫茶店。また来よう。
Taking advantage of the lull in the rain, I returned to the parking lot. Why do I get to want to take photos when there's someone walking in front of me. Well, it won't be 3 weeks later next time to go to Kabukicho, it'll be sooner than that at least.
See you then.
雨が上がった隙をついて駐車場へ戻る。なんか目の前に人が歩いていると思わず撮りたくなってしまうのはなんでだろう?さて、さすがに次に歌舞伎町に行くのはまた3週間先とかにはならない予定。
ほなまたー。